EQUIPMENT
EQUIPMENT
EQUIPMENT
Red Komodo 6K / Sigma Cine Primes / Dji Ronin 2 / Astera Titan Tubes
Red Komodo 6K / Sigma Cine Primes / Dji Ronin 2 / Astera Titan Tubes
Red Komodo 6K / Sigma Cine Primes / Dji Ronin 2 / Astera Titan Tubes
COLLAB
COLLAB
COLLAB
Luka D (Director) / Juno Raine (Stylist) / Jae Lee (Choreographer)
Luka D (Director) / Juno Raine (Stylist) / Jae Lee (Choreographer)
Luka D (Director) / Juno Raine (Stylist) / Jae Lee (Choreographer)
CLIENT INDUSTRY
CLIENT INDUSTRY
CLIENT INDUSTRY
Streetwear Fashion
Streetwear Fashion
Streetwear Fashion
Fashion Film / Kinetic / Avant Garde / Choreography
Fashion Film / Kinetic / Avant Garde / Choreography
Fashion Film / Kinetic / Avant Garde / Choreography
(Photography)
(Photography)
(Photography)
Dynamic tracking shots, wide-angle lenses, and whip pans. Camera movement echoed the dancer’s own kinetic flow.
Dynamic tracking shots, wide-angle lenses, and whip pans. Camera movement echoed the dancer’s own kinetic flow.
Dynamic tracking shots, wide-angle lenses, and whip pans. Camera movement echoed the dancer’s own kinetic flow.
(Vision)
(Vision)
(Vision)
We wanted to capture instinctive expression—fashion in motion, not framed statically but living in chaos.
We wanted to capture instinctive expression—fashion in motion, not framed statically but living in chaos.
We wanted to capture instinctive expression—fashion in motion, not framed statically but living in chaos.
(Processing )
(Processing )
(Processing )
Grain overlay, motion blur preservation, high-contrast grading in DaVinci Resolve
Grain overlay, motion blur preservation, high-contrast grading in DaVinci Resolve
Grain overlay, motion blur preservation, high-contrast grading in DaVinci Resolve
